By Natalie Purcell
No cultural product unearths our collective fascination with sexual violence extra candidly than well known heterosexual pornographies. They exhibit scenes of extreme sexual aggression and cruelty which are gendered in repetitive, patterned configurations-configurations which are designed to arouse.
Purcell makes use of comparative serious analyses of renowned pornographic videos to discover universal fantasies of sexual violence and the way they've got replaced over the last 40 years.
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Extra resources for Violence and the Pornographic Imaginary: The Politics of Sex, Gender, and Aggression in Hardcore Pornography (Routledge Research in Cultural and Media Studies)
The Devil in Miss Jones [Damiano 1973])34 The most graphic, explicit, and realistic violence of the pornographic feature’s early years is not a dramatized rape; rather, it is the realistically portrayed suicide of a desperate woman.
Blum et al. 1988). They work together to shape what we experience— almost like two projectors ﬂ ashing on the same translucent screen at once (Arlow’s metaphor). Thus, the inner eye isn’t just “inner”: The stream of conscious and unconscious fantasies that project across our minds and shape our perception are a product of our histories and experiences. Yet past experience, like present experience, is as much a function of the double-screen as anything else. Memories are not simply internalized reﬂ ﬂections of an outer world.
Fantasies are linked to, and in some regard constitutive of, our identities: “[T]hey are never far from our innermost selves” (3). They shape both character and behavior in ways that are more and less obvious: “Fantasy infuses all of our choices and behavioral patterns” (5). This is true even when we are not aware of our fantasies: “Unconscious fantasy is critically important because it involves psychic material so powerful, basic, and primal that it exerts an ongoing inﬂ ﬂuence on perceptions, subjective experience, and behavior throughout a lifetime.