By Glenn V. Vilppu

# writer: Vilppu Studio & Vilppu LLC (2007)
# ASIN: B002MBQ78E

"This is absolutely the pre-publication, draft model of this handbook for these of you who've been soliciting for this. For these of you who've the sooner Xerox model, this has been revised for extra readability of the pictures. This merchandise isn't slated for final touch past draft shape at this aspect in time."


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This allows the easy transfer of line drawings from, say, tracing paper to Canson paper for a more finished color drawing. This capability also enables the designer to make more than one copy of a line drawing in case an illustration must be repaired or redone. Tracing Paper Tracing paper is an excellent surface for color design drawings. It takes all pencil, dry media, and felt-tipped line media well and erases cleanly. Markers bleed only slightly and appear muted—usually an advantage. Its translucency is less refined than that of mylar or vellum.

Large gradients of transparent color O Once the line drawing had its large areas of color, it was plotted on heavyweight coated paper. ” This kept the lines of the detail had been attempted by computer. drawing visible through the layers of It was also used to add the illuminated color. The sky, the first layer created, building windows, as well as the texture transitions from pink on the right to for the plant materials and trees. White dark blue on the left, simulating a dusk gouache was applied for the sparkle of sky just after sunset.

2-8 A variety of high-quality pastels. The stick pastels arranged horizontally are, from top to bottom: Rembrandt by Royal Talens (Holland), Pastel a l’Écu by Sennelier (France), Artisti by Maimeri (Italy), and Künstler Pastell Farben by H. Schmincke & Co. (Germany). The two stick pastels arranged vertically are the Conté stick by Conté a Paris (right) and Unison Colour, made in England (left). The pencil pastels are, from top to bottom, Schwan Stabilo (Germany), Bruynzeel design pastel (Holland), and the Conté a Paris pastel (France).

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