By Katherine Hayles
Contains index. fresh and tight replica. measurement: 6 1/4" x nine 1/4". includes a few marks. Binding is tight, covers and backbone absolutely intact. All edges are fresh. no longer ex-library. All books provided from DSB are stocked at our shop in Fayetteville, AR. Shipped Weight: below 1 kilogram. type: technological know-how & expertise; ISBN: 0801417422. ISBN/EAN: 9780801417429. stock No: 024633.
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Extra info for The Cosmic Web: Scientific Field Models and Literary Strategies in the 20th Century
It has proven impossible to create such a language because the terms that comprise it already contain assumptions that cannot be validated independently of the language. In Zen and the Art of Motorcycle Maintenance Robert Pirsig develops a similar argument bv pointing o u t that any analytical hierarchy is created bv an observer wielding a knife, even though the passiv e constructions of Aristotelian rhetoric work t o conceal both the knife and, behind it, the observer who determines where the cuts will be made.
Heisenberg frequently speaks of Bohr's interpretation of the Uncertainty Relation as if it were synonymous with his own. " But as Clifford H o o k e r observes in his excellent analysis of Bohr's philosophy, Bohr's position was really quite different. Bohr never endorsed the "disturbance" concept of Heisenberg. Rather, in his view, the Uncertainty Relation was deeply bound u p with the limitations of language. " 3 7 In Bohr's view, the question of language is crucial; and it is in his philosophy that the connecting links between a field view of language and the field concepts of quantum mechanics are clearest.
Are] based on assumptions initially unnoticed," Bohr writes. " These more extended domains will in turn be underlaid by other concepts containing "unrecognized presupposi lions," the examination of which w ill in turn lead to a still more general description. , p. : 5 4 spinning t h e web limitations of viewpoint, but by systematically examining and exploiting them. miliar terms, starting from a Jamcsian theory of point of view and progressing to post-modern literature in which the assumption that there is a "point" f r o m which to "view" is called into question.