By Ellen Rooney

Feminism has dramatically encouraged the best way literary texts are learn, taught and evaluated. Feminist literary conception has intentionally transgressed conventional barriers among literature, philosophy and the social sciences on the way to know the way gender has been built and represented via language. This energetic and thought-provoking significant other provides various techniques to the sphere. the various essays exhibit feminist serious rules at paintings in analysing texts, whereas others take a step again to track the improvement of a specific feminist literary strategy. The essays draw on a number of basic fabric from the medieval interval to postmodernism and from a number of nations, disciplines and genres. every one essay indicates extra examining to discover this box extra. this can be the main available consultant to be had either for college kids of literature new to this constructing box, and for college students of gender reviews and readers drawn to the interactions of feminism, literary feedback and literature.

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The Cambridge Companion to Feminist Literary Theory (Cambridge Companions to Literature)

Feminism has dramatically encouraged the best way literary texts are learn, taught and evaluated. Feminist literary concept has intentionally transgressed conventional limitations among literature, philosophy and the social sciences that allows you to know the way gender has been developed and represented via language.

Additional resources for The Cambridge Companion to Feminist Literary Theory (Cambridge Companions to Literature)

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Strategies of resistance displaced traditional aesthetic conventions assuming that texts (and genres) conditioned their own reception, while readers were to cooperate by preparing themselves suitably to receive the genius of the great works. Feminists, sensitive to gendered models in all practices – including aesthetic relations posited on active, dominant texts, and pliant, receptive readers – sought instead a political aesthetics, and found pleasure and beauty in resistance, judgement, and critique of whatever the great works were thought to deliver.

That is to say, the earliest black female-centered anthologies and critical studies (the term “feminist” was rarely used initially) focus less on reclaiming the lost works of nineteenth-century foremothers than on showcasing the work of contemporary, living black women writers and on recasting recent historical periods like the Harlem Renaissance and the Black Arts Movement of the 1960s in women-centered terms. In fiery 1960s rhetoric, the preface to the first of these anthologies, Toni Cade’s The Black Woman (1970), announces a break with the past and with male cultural constructs.

Sandra Gunning, Race, Rape, and Lynching: The Red Record of American Literature, 1890–1912 (New York: Oxford University Press, 1996). bell hooks, Feminist Theory: From Margin to Center (Boston: South End Press, 1984). Deborah E. McDowell, “The Changing Same”: Black Women’s Literature, Criticism, and Theory (Bloomington: Indiana University Press, 1985). , African American Literary Theory: A Reader (New York: New York University Press, 2000). , Feminism and Cultural Studies (New York: Oxford University Press, 1999).

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