By J. jagodzinski

This e-book explores formative years in postmodern society via a Lacanian lens. Jagodzinski explores the generalized paranoia that pervades the panorama of tv. rather than disregarding paranoia as a detrimental improvement, he claims that formative years this day labour in the context of paranoia to discover their identities.

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Extra resources for Television and Youth Culture: Televised Paranoia (Education, Psychoanalysis, Social Transformation)

Example text

From the side of nature, we seem to be the most advanced encephalized animal, capable of language and technologies that can change our physiological nature. From the side of culture, we are overdetermined beings, caught by our own follies, which we (must) believe in. Be that as it may, Beck and Lash’s use of self-reflexion is claimed to be a step beyond the naïvety of self-reflection. Structure and agency are once again rethought in an information age by maintaining their demise, which is complementary to a systems theory of complex networks like that of Niklas Luhmann, according to whom agency seems to disappear entirely, his antihumanism being in direct opposition to the humanism of Habermas.

Be that as it may, Beck and Lash’s use of self-reflexion is claimed to be a step beyond the naïvety of self-reflection. Structure and agency are once again rethought in an information age by maintaining their demise, which is complementary to a systems theory of complex networks like that of Niklas Luhmann, according to whom agency seems to disappear entirely, his antihumanism being in direct opposition to the humanism of Habermas. Rather than a dualistic reflectivity of agency and structure, reflexivity in the formulations of Beck and Lash now becomes monistic or immanent—the subject is placed “in” the world, recognizing its multiple interconnections.

She has “used” the inhabitants of the village for her own narcissistic ends to prove that her gangster father was wrong in his assessment of people. Grace as victim now becomes Grace the victimizer. Revenge is sought, and the village is eventually burned. Only a dog is left. As witnesses to the event, viewers remain stymied as to where to place their judgment in such a masochistic-tosadistic flip-flop, since we have been party to the pleasure of watching her victimization and rallied in the destruction to satisfy our initial sympathies.

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