By Paula J. Martin

Operating on the vanguard of plastic surgery on the flip of the 20th century, Dr Suzanne Noel used to be either a pioneer in her clinical box and a company believer within the development of ladies. this day her perspectives at the advantages of aesthetic surgical procedure to girls could appear at odds along with her feminist principals, yet by means of putting Noel within the context of turn-of-the-century French tradition, this publication is ready to show how those worldviews have been reconciled. Noel used to be capable of mix her extreme convictions for gender equality and anti-ageism within the group together with her underlying compassion and challenge for her lady sufferers, in the course of a time whilst there have been no legislation in position to guard girls from office discrimination. She used to be additionally answerable for numerous advances in plastic surgery, a thriving undefined, and is this present day most sensible recognized for her improvement of the mini facelift. This ebook, accordingly, sheds a lot precious gentle on advances in aesthetic surgical procedure, twentieth-century attractiveness tradition, ladies and the general public sphere, and the 'new woman'.

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Additional resources for Suzanne Noël: Cosmetic Surgery, Feminism and Beauty in Early Twentieth-Century France

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At the onset of the war, her friend André, who was also working as an intern for Professor Brocq, was mobilized and left immediately to serve as a doctor at the front. 1 World War I, Henry at the Front and Suzanne a Practicing Physician When the war began, Suzanne’s financial situation became immediately dire. What income she had from her internship was meager and her mother, who might once have been able to help, was financially devastated and fled to Paris as the Germans quickly invaded Laon.

38 After careful consideration of face-lifting procedures, Suzanne wanted to examine the work done on Sarah personally, and due to the fact that Suzanne had powerful friends in Parisian social circles who may have known Sarah and the fact that she had briefly been a patient of Henry’s, Suzanne decided to call directly on the famous actress. Suzanne writes: Determined, I went to find the artist in question. She was very congenial and explained to me what had been done to her in the United States, which held no bearing at all to anything that I wanted to do.

Peiss, “American Women and the Making of Modern Consumer Culture,” The Journal for Multi-Media History, 1/1 (1998): 1–3. Peiss argues that universal desires of beauty were touted by advertisers, especially using French images and phrases, and were aimed primarily at women. 2 Wendy Moore, The Knife Man: Blood, Body Snatching, and the Birth of Modern Surgery (New York, 2005), pp. 106–9. 36 Suzanne Noël: Cosmetic Surgery, Feminism and Beauty court, that set France solidly on a path that increasingly pointed to a culture of beauty.

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