By Minal Hajratwala

An inspiring own saga that explores the collisions of selection and background that led one unforgettable family members to develop into immigrants during this groundbreaking work,Minal Hajratwala mixes history,memoir, and reportage to discover the questions dealing with not just her personal Indian family members yet that of each immigrant:Where did we come from?Why did we leave?
What did we surrender and achieve within the process?
Beginning together with her great-grandfather Motiram’s unique flight from British-occupied India to Fiji, the place he rose from tailor to division shop mogul,Hajratwala follows her ancestors around the 20th century to provide an explanation for how they got here to be unfold throughout 5 continents and 9 countries.
As she delves into the connection among own selection and the nice ancient forces—British colonialism, apartheid,Gandhi’s Salt March, and American immigration policy—that helped to form her family’s studies, Hajratwala brings to gentle for the first actual time the tale of the Indian diaspora.
This luminous narrative via a baby of immigrants bargains a deeply intimate examine what it potential to name multiple a part of the realm domestic. Leaving India may still locate its position along Michael Ondaatje’s working within the kin and Daniel Mendelsohn’s The misplaced: A look for Six of Six Million.

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Additional resources for Leaving India: My Family's Journey from Five Villages to Five Continents

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John Ogilby, His Majesty's cosmographer, writing in 1673, found "Por-tugefes, Arabians, Perfians, Armenians, Turks, and Jews" doing brisk business in Surat. " Soon, Surat was swallowing the riches of England as well. In London the craze was for calico, muslin, chintz—varieties of cotton cloth from India. Parliamentarians fretted: Asian luxuries pouring in meant Britain's gold bullion was pouring out, creating a drastic trade imbalance. And textile makers took notice as well: homegrown British cloth could not compete with cheaper, higher-quality cottons and silks from India.

Where their memories contradict one another, I have either made the differences transparent, or I have not included the incidents in question. In my heart the journalist and the poet hold hands and walk into the dark, each with her own methods, her own sticks and tools. It is for others to say how "literary" or "creative" they find this text; for myself, I am comfortable with the knowledge that it is, to the best of my capacity, simply nonfiction. And inasmuch as the house of history is, like the house of dreams and other things of that sort, ruinous, apologies must be made for discrepancies.

1. Title. 049140092—dc22 [B] 2008036079 Printed in the United States of America Book design by Lisa Diercks Typeset in Minion Map by Jacques Chazaud DOC 10 9 8 7 6 5 4 3 2 1 Photographs on spine: TOP: The author at Disneyland in 1978, after her family moved from New Zealand to the United States. BOTTOM: Kaashi R. Narsey, the author's grandmother, with her middle son, Ranchhod, ca. 1936. for my family past, present, future given & chosen Contents Acknowledgments [>] A Note on the Text [>] 1.  Bread [>] PART TWO: SUBJECTS [>] 4.

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